Sunday, 21 January 2024

The Slow TV Blog - and blogger! - still live!

Thanks to you for dropping by!

Yes, it's been rather quiet here on The Slow TV Blog for a while. But, you know, Norwegian Slow TV still occupies my thoughts, emotions and aspirations.

Along with the pandemic, new job, and late-diagnosis at 49 1/2 years old of being Autistic, these and many other things have been demanding my energies. And yes, Autism explains why Norwegian Slow TV became such a core part of my special interests and identity.

As 2024 gets more of a grip, so does another Scandinavian-related project which has been niggling away at me, probably for more than five years now. I'll share more in the weeks and months ahead. Along with that, I'll be widening the scope of this blog and rearrange things somewhat. And find out what may or may not happen with Norwegian (style) Slow TV around the world.

The Slow TV Blog - and blogger - still live!


Wednesday, 16 June 2021

Norwegian Slow TV - an Ambassador for NRK and Norway

nrk - home of unusual projects
During a Media City Bergen event broadcast online on June 10th, it was particularly pleasing to see one of the adverts between talks was a montage of memorable moments from the various Slow TV projects. Instantly recognisable.

Also featuring this year's Sommerskuta Project as the final image, and a tagline of "Home of unusual projects", it was a clear statement of Norwegian Slow TV having become a unique selling point of NRK, an ambassador for Norwegian television and an advert for Norway itself.

There is so much Slow TV can do when it's done well and treated right.

Media City Bergen, NCE Media and NCE Finance Innovation hosted mcb tech .21 online, "...a tech update from some of the brightest minds in the industry...an out of the ordinary, virtual studio experience with a stellar line-up of the world’s expertise on innovation and the future of technology".

Slow Television - The Slow TV Blog

Monday, 14 June 2021

NRK Summer 2021 - Sommerskuta Slow TV

Statsraaden in Shetland. Image Ronnie Robertson*
If you're needing a sense of travel, adventure and wider horizons, there is a chance for a six week journey around Norway this summer - albeit courtesy of TV.

This summer's Slow TV project from Norway's NRK broadcaster comes courtesy of a magnificent sailing ship, the "Statsraad Lemkuhl".*

Over the six weeks, the 107 year old vessel sails from North Cape on the 6th of July, arriving on the 15th August in Arendal. Sights along the way obviously feature pretty much the entire Norwegian coastline with 29 stops, with a brief call in on Lerwick, Shetland. Yes, for the very first time Norwegian Slow TV actually physically arrives in the UK.

The Statsraaden is the largest sailing vessel in Norway, 98 metres long, 48 metres tall on the highest of its three masts,  a veritable festival of sea-faring elegance. With it taking in nearly all of the Norwegian coast, there will no doubt be opportunity for some jaw-dropping views and romantic sea-faring aesthetics.

 

The crew will also consist of volunteers who were able to apply to take part in the project.

It is now a fine Slow TV tradition in Norway for people to turn up waving and putting all sorts of fun and entertainment before the cameras; obviously we are now in a pandemic. The public are being encouraged to wave and participate from where they are, and not to gather en masse in quays and harbours. There will less content broadcast in the evenings than usual to discourage crowds from gathering.

Nevertheless, this won't discourage people from waving flags, having signs saying "Hei Mom", waterski-ing Borats and Gorillas. The code is staying distanced on land, or if a flotilla of smaller ships muster to greet the Statsraaden, then for people to use their own boats.

There are four days scheduled at sea; timings are contingent upon favourable weather. List of dates as they stand on 14th June, courtesy of NRK are:

  1. Havøysund 6.-7. July
  2. Øksfjord 8 July
  3. Hansnes 9 July
  4. Senjahopen July 10
  5. Andenes 13 July
  6. Myre July 14th
  7. Melbu July 15th
  8. Stamsund 16 July
  9. Værøy 17 July
  10. Kjerringøy 18 July
  11. Selsøyvik 20 July
  12. At sea (west of Brønnøysund) 21 July
  13. Bessaker July 22nd
  14. Kyrksæterøra 23 July
  15. Langøy 24 July
  16. Brattvåg 25 July
  17. Sell ​​July 27th
  18. Askvoll 28 July
  19. At sea (west of Fedje) 29 July
  20. Lerwick (Shetland) July 30th
  21. At sea (west of Bergen) 31 July
  22. Strusshamn 1 Aug. 
  23. Rubbestadneset 3. aug.
  24. Kopervik 4. aug.
  25. Lysebotn 5. aug. 
  26. Sirevåg 6 Aug. 
  27. Båly 7. aug.
  28. Bredalsholmen 8. aug.
  29. Helgeroa 10. aug.
  30. Holmestrand 11 Aug.
  31. Full 12 Aug.
  32. Skjærhalden 13 Aug.
  33. Stavern 14 Aug.
  34. Bratteklev 15 Aug.

For more about the Statsraaden, see their website (English version).

The Slow TV project will also have central themes of the environment and sustainability, with the Statsraaden being "...the world's most environmentally friendly sailing ship in its class. The wind is the engine for 60 to 70 percent of the time. In addition, a new battery has been installed that ensures electric operation to and from the quay and reduces other fuel emissions."

The Slow TV Blog will be following the voyage with great interest, as it shows Norway to the world, connects people and communities, telling good stories and giving us those sublime Slow TV moments.

Credit to this NRK article as principal source.
Image of Statsraaden in Shetland by Ronnie Robertson, used with the Creative Commons Attribution-Share Alike 2.0 Generic license.

Slow Television - The Slow TV Blog

Thursday, 20 May 2021

NPR Invisibilia Podcast - The Great Narrative Escape

The excellent Invisibilia Podcast from NPR has an episode on Norwegian Slow TV. A podcast series about the unseen forces which affect our lives, Invisibilia is probably the most polished and slick produced podcast I've listened to, and is often stimulating and thought provoking.

The Slow TV Blog gave a lengthy interview to the podcast just before Christmas 2020, which didn't make it into the episode - though I'm very grateful for a mention in the credits and a couple links in the episode notes.

The podcast has a transcript, available here. The podcast's main episode page is here, or listen via the embedded player just below here.

Join the community of Slow TV Fans, Thinkers and Filmmakers on Facebook

New to The Slow TV Blog? See The Slow TV Blog media centre.

Slow Television - The Slow TV Blog

Monday, 17 May 2021

Roel Puijk - Slow TV: An Analysis of Minute-by-Minute Television in Norway

Roel Puijk - Slow TV
ISBN 9781789382013

A dedicated book on Slow Television in Norway is being released by Intellect Books on 31st May 2021. By media scholar, Roel Puijk, it is the first dedicated publication to examine Norwegian Slow TV. The Minute-by-Minute projects remain some of the most surprisingly successful TV shows in Norway, with hit ratings and representing Norway around the world.

The cover shows the patriotic flag-waving which features in many of the Slow TV projects, the adventurer Lars Monsen on hike - showing the Norwegian love and participation in the great outdoors, and also the ferry line, Hurtigruten, whose voyage was covered from Bergen to Kirkenes in a record-breaking broadcast.

Intellect Books' entry reads, 

"Slow TV has become a familiar feature of broadcasting in Norway. It refers to a set of programmes produced by the Norwegian Broadcasting Corporation (NRK) since 2009, starting out with a seven-hour broadcasting of the train ride between Bergen and Oslo. 

The concept of slow TV and ‘minute-by-minute’ broadcasting was developed so that the event on television lasts as long as in real time. Several broadcasters outside Norway, including BBC Four, YLE, SRF and Netflix, have now taken up the concept of slow TV.

The first study of this genre, this highly original book explores three different aspects of the phenomenon of slow TV: the perspective of the broadcaster, the perspective of the producers and other actors involved in the production of the programme, and that of the audience.

It goes beyond the question of genre and considers how slow TV fits into television scheduling and how the audience appeal can be understood within broader concepts such as media events, media tourism, reception and national identity. Public service broadcasters can be seen as having more opportunity to experiment, and slow TV can be seen as a good example of public service programming.  What attracts viewers to the programmes is that they invite a contemplative mode of watching: there is a chance to see something unexpected, or to be introduced to interesting new things.

Illustrated throughout in full colour, using stills from broadcast programmes.

This book will appeal primarily to an academic readership, both researchers and students. Most readers are likely to be involved with media and communication studies, cultural studies and film studies.  It will also be of interest more generally to the humanities and social sciences fields as it touches on topics such as national and local identity, popular culture, Nordic lifestyle, well-being, tradition, community and popular culture."


The book is available to order from the publisher and other retailers.


New to The Slow TV Blog? See The Slow TV Blog media centre.


Slow Television - The Slow TV Blog

Wednesday, 30 September 2020

The Slow TV Podcast - Björn Lindell and The Great Moose Migration

In this episode, Tim Prevett has a conversation with Björn Lindell, starting about studying Slow TV, then general conversation about Slow TV, innate sense of time, early film, cognitive loading, media psychology, state of flow. Later in the episode we speak specifically about The Great Moose Migration, comparing and contrasting with Norwegian Slow TV, audience feedback and reception, social media and the transitory communities which spring up online for these events.

Conversation starts at 03:58
Dedicated discussion of The Moose Migration starts 38:00 (though some specific relevance earlier, too)

SVT The Great Moose Migration (in Swedish)

Facebook Page for the Broadcast (in Swedish)
Vi som gillar den stora älgvandringen på SVT!

Salford University Media Psychology Post-Grad Course

Slow TV Fans, Thinkers and Filmmakers Facebook Group

Björn's reflection on the first season of The Great Moose Migration

Twitter
Instagram
LinkedIn

State of Flow Ted Talk


Books Mentioned:

Eriksen, T. H. (2001) Tyranny of the Moment - Fast and Slow Time in the Information Age. London, Pluto Press.

Honoré, C. (2004). In Praise of Slowness - Challenging the Cult of Speed. New York, HarperOne.

Recorded 15th May 2020

Slow Television - The Slow TV Blog

The Slow TV Podcast - Episode List

 

 

 

 

 

 

 Slow Television - The Slow TV Blog

Thursday, 16 July 2020

The Slow TV Podcast - David Lol Perry and Chris Lewis

This episode of The Slow TV Podcast is an interview with Australian Filmmaker Chris Lewis and English Composer David Lol Perry, who teamed-up to create ‘PURE Soundbath’, a new Slow TV film to calm lockdown nerves.
This episode of The Slow TV Podcast is an interview with Australian Filmmaker Chris Lewis and English Composer David Lol Perry, who teamed-up to create ‘PURE Soundbath’, a new Slow TV film to calm lockdown nerves.The trailer and onward link can be found on Vimeo:

Chris' social media -  Instagram  and Twitter

David's social media - Twitter

The art film I couldn't remember the name of is called Wavelength (1967)

The film to which I liken the mood and style is Baraka

The group mentioned and cited as an influence is Dead Can Dance

The Britain by Balloon series (available until October 2024 in the UK) mentioned by David
(Geo-blocking may apply)

PURE Soundbath press release here

Join the community of Slow TV Fans, Thinkers and Filmmakers on Facebook

Slow Television - The Slow TV Blog

Wednesday, 10 June 2020

PURE Soundbath - Slow TV for Lockdown



Press Release

PURE Soundbath from Chris Lewis on Vimeo.
A lockdown film made 9000 miles apart - "like going on holiday for three weeks".

Australian Filmmaker Chris Lewis and English Composer David Lol Perry teamed-up around the world to create ‘PURE Soundbath’, a new Slow TV film to calm lockdown nerves (but does make us want to travel again!).

David, best-known for his charting 2017 Warner Classics album ‘Three Wings’ featuring Winchester College’s Quirister boys, ‘met’ Geraldton, WA based Chris, a cameraman for broadcaster ABC, on Twitter. David was unable to continue his sell-out ‘Soundbaths’, gigs where guests lie down and drift-off, immersed in hi-res music. Chris wanted to make a ‘Slow TV’ film, that too, mesmerises.

The music was recorded in ‘3D’ or ‘Binaural’ sound to replicate the surround sound of the soundbaths. Chris’s sumptuous photography includes stunning underwater shots, even underneath waves as well as gorgeous drone panoramas. It was largely shot in Merimbula, New South Wales. The result is an engaging and extremely calming experience. The hour-long film is available to buy or rent on Vimeo.

End

The Slow TV Podcast recorded an interview with Chris Lewis and David Perry about their film, find it on THIS LINK.

New to The Slow TV Blog? See The Slow TV Blog media centre.

Slow Television - The Slow TV Blog

Thursday, 23 April 2020

The Slow TV Podcast - NRK Producers Part 2

Here is The Slow TV Podcast, being pushed out from the ferry terminal in Bergen. I start off over the next few weeks mainly with NRK staff in Norway whom I interviewed in 2014. This is part one of a longer interview. I have several hours of interviews recorded on video, and only soundbites used in the documentary. So, in true Slow TV style, I can bring (almost) the whole thing.

This interview is with Thomas Hellum and Rune Møklebust, two of the creators and producers of Slow TV from NRK Hordaland in Bergen, Norway. Part one is here.


New to The Slow TV Blog? See The Slow TV Blog media centre.

Slow Television - The Slow TV Blog

Wednesday, 22 April 2020

The Wetland Project - Earth Day 2020

Slow Radio for Earth Day 2020
For Earth Day 2020 I'm pleased once again to host sound from Brady Marks and Mark Timmings, from Saturna Island off the mainland of south west Canada.
The Wetland Project Slow Radio Broadcast takes place for 24 hours on Earth Day (Wednesday, April 22). Besides this podcast, listeners can stream the soundscape in sync with their local time from anywhere in the world at wetlandproject.com/stream. You can also tweet @wetlandproject to add your voice to the interactive online stream.

In this podcast, artists Brady Marks and Mark Timmings re-create the seminal broadcast Soundscapes of Canada (Program 5: Summer Solstice, excerpts from a 24-hour field recording documenting the daily cycles of the natural soundscape), an experimental radio production by the World Soundscape Project that premiered on CBC Radio’s Ideas program in 1974. For Marks and Timmings the inspiration lies in a tiny bit of Earth and the beautiful and complex sounds that emanate from it: the ṮEḴTEḴSEN marsh in the traditional and unceded territory of the W̱SÁNEĆ First Nations on Saturna Island, British Columbia, recorded on Earth Day 2016. The sonic phenomena produced by this little wetland — not unlike other wetlands around the world—tend toward inexhaustibility and infinity, but sadly also toward extinction. The Wetland Project commemorates the 50-year anniversary of the founding of the World Soundscape Project (WSP) by Canadian writer and composer R. Murray Schafer. WSP members initiated the discipline of Acoustic Ecology by studying, through active listening, the relationship between humans and their environment. Created and produced by Brady Marks and Mark Timmings Sound recording engineer: Eric Lamontagne 2017 (58:16 min)


Created and produced by Brady Marks and Mark Timmings
Sound recording engineer: Eric Lamontagne
2017 (58:16 min)

Thursday, 16 April 2020

The Slow TV Podcast - NRK Producers Part 1

Here is The Slow TV Podcast, being pushed out from the ferry terminal in Bergen. I start off over the next few weeks mainly with NRK staff in Norway whom I interviewed in 2014. I have several hours of interviews recorded on video, and only soundbites used in the documentary. So, in true Slow TV style, I can bring (almost) the whole thing.

This interview is with Thomas Hellum and Rune Møklebust, two of the creators and producers of Slow TV from NRK Hordaland in Bergen, Norway. Part two is here.

New to The Slow TV Blog? See The Slow TV Blog media centre.

Slow Television - The Slow TV Blog

Friday, 31 January 2020

Watch Svalbard Slow TV right here

Sadly, the Svalbard Minute by Minute Slow TV broadcast has now ceased



The documentary - "That Damned Cow - Just What is Norwegian Slow TV?" is available to watch in full on Facebook Video now.

New to The Slow TV Blog? See The Slow TV Blog media centre.


Slow Television - The Slow TV Blog

Friday, 3 January 2020

Epic Svalbard Slow TV arriving 31st January

NRK's Svalbard Slow TV Project
(stock photo)
NRK's record-breaking five day Slow TV broadcast aboard Hurtigruten will be well and truly smashed this year as the Norwegian state broadcaster airs a new project, starting on 31st January, finishing (we reckon) on 9th February, which is the centenary of the Svalbard Treaty.

Svalbard Minutt for Minutt (Minute by Minute) was filmed in August 2019 but NOT transmitted live, owing to significant issues with the signal. NRK usually finds a way to work around these issues, such as triangulating signals with staff on nearby mountain tops to get the signal out of fjords and topography which blocks signals from the ground. 


As an idea in gestation since 2011, you can be sure it's been thought around and researched - so instead of a live play out, the recording will be broadcast continuously over nine days, starting 31st January 2020, ending to mark the centenary of the signing of The Svalbard's Treaty, eventually incorporating it into Norway.


With the midnight sun still giving 24 hours of working light each day at the time of recording there should be a glorious glow for a sustained 'golden hour' sunset vibe for several hours each night.


Around 25 staff from NRK were involved in the production, estimated to run at nine days, six hours and five minutes. Multiple cameras were installed on MS Spitsbergen, one of the tour ships of the ferry operator, Hurtigruten. Hopefully the modified bough-cam with a rotating point-of-view will made a reappearance (last seen in Hurtigruten Minutt for Minutt). Drone footage will give spectacular views; all making for a multi-camera, dynamic experience but still a Slow TV journey around the entirety of Svalbard.


The documentary - "That Damned Cow - Just What is Norwegian Slow TV?" is available to watch in full on Facebook Video now.

New to The Slow TV Blog? See The Slow TV Blog media centre.

Slow Television - The Slow TV Blog

Wednesday, 9 October 2019

Slow TV Pole to Pole in 2020

News reached The Slow TV blog last night of an exciting Slow TV project, which, assuming it happens in 2020, would make it a year when both of our Planet's polar regions would be covered by our much loved format.

We know of NRK's epic 9 day Svalbard project, well inside the Arctic Circle, in production this year.

Well, for a themed pair,Greenstone TV (who filmed the 12 hour Go South Slow TV), funded by NZ on Air, will be doing a (completely separate) Slow TV project from Antarctica. Exact details unknown, but we'll be bringing them here as soon as we know more!

Slow Television - The Slow TV Blog

Monday, 7 October 2019

Slowbart - an Ambient Film Program in Hobart

We've had The Ghan from the Australian mainland, Go South from New Zealand - now it's time for a complete set from the continent with some Slow TV from Tasmania.
Aurora Australis image courtesy of Ian Stewart
Slowbart, a play on the capital's name, Hobart, and its apparent reputation as a principal city with a more mellow lifestyle, is happening at The Loop, a digital art platform for the city.
It's a special point of interest that the program is being touted as 'ambient film' - something which Slow TV can be, but not often recognised as by audiences and media commentators. It's like ambient music - immerse into it, or use it as a sensory wallpaper.
The press release from The University of Tasmania reads:
"Unseen perspectives of life in Hobart are set to be revealed in a new creative initiative in the heart of the city.
Slowbart: An ambient film program kicks off this evening and will screen daily for three months, 8am–8pm at The Loop public courtyard at 157 Elizabeth Street.
“Hobart has an easy-going and serene atmosphere that’s unusual for a capital city. The films curated for Slowbart will reveal unusual views of Hobart and our surrounds through the eyes of many creative residents,” University of Tasmania Head of Media Dr Claire Konkes said.
“The films have been curated in the genre of ‘Slow TV’ to show gradually unfolding moments and experiences, designed to be enjoyed by audiences as they wait, pass by, or settle in for the feature films.”
Slowbart curators and emerging filmmakers Victoria Bremner and Heath Willis (pictured) developed the Slowbart film concept while interning at the City of Hobart as part of their media studies at the University of Tasmania.
“We encouraged filmmakers, artists and content makers of all kinds to scour their hard drives, delve into the depths of their filing cabinets and check under their beds to contribute imagery and film for the program,” Ms Bremner said.
“After viewing it all I carefully selected footage to produce The Hour of Power, a one-hour long presentation of short film, animation and documentary, which will be screened each lunchtime until late December.”
The program’s feature film Slowbart: An ambient film was also produced from local contributions and scored to original music by emerging composer Finn Clarke. The film is curated by Heath Willis with support from Fraser Johnston of Spectral Media.
“This creative partnership has brought together filmmakers who have sought to capture what makes Hobart unique as a capital city,” Hobart Lord Mayor Anna Reynolds said.
“We are so lucky to live in a city that is surrounded by nature and which provides us with so many opportunities to slow down and appreciate what we have. I congratulate the curators and contributors for bringing this film initiative to life.”
Slowbart: An ambient film program will be officially opened by Lord Mayor Anna Reynolds and Dr Meg Keating (Head of School, Media and Creative Arts, University of Tasmania) today, 5:30–6:30pm at The Loop, 157 Elizabeth street, Hobart. Slowbart: an ambient film and The Hour of Power will be screened at the launch.
The Loop is an initiative of the City of Hobart through the Creative Hobart strategy in partnership with the University of Tasmania. The schedule is available at theloophobart.com.au/program."
Slow Television - The Slow TV Blog

Friday, 4 October 2019

Filmmaker Friday No 1 - Train and Cress

Each Friday I'd like to highlight two or three Slow TV or Slow-TV-Style videos made by individuals without the budget, tech and staff of a big production company or national network.

The first is the driver's view from the Ichibata Electric Railway, by World of Transit:


The second is a timelapse of cress growing, sped up into an hour with an ambient soundtrack, by Neil Donoghue:


If you'd like to share a video, join the Facebook Group, Slow TV Fans, Thinkers and Filmmakers; New to The Slow TV Blog? See social media links, notable internal links or to get in touch, the media centre page.

Slow TV - The Slow TV Blog

Thursday, 3 October 2019

Svalbard Slow TV for 100 Years of Svalbard Treaty

Admittedly, The Slow TV Blog has been rather focussed on offline matters the last few months - even so, we've had our nets cast far and wide to keep abreast of key developments, and the hush about the NRK filming of Svalbard for the Svalbard Treaty Centenary next February has been maintained.

We've monitored a few key phrases and people and all have kept admirably stumm. So, one assumes the filming for prerecording has actually happened...

We'll give a post as soon as we know anything more to shout about. Or if you know something you can share, please get in touch.
Slow Television - The Slow TV Blog

Wednesday, 2 October 2019

Go South - Slow TV in New Zealand

Go South - Slow TV in New Zealand
Courtesy Greenstone TV / Prime
Broadcast on 1st January 2019, this 12 hour road-trip is New Zealand's first foray into Slow TV. A 3 hour long edit was broadcast a few weeks later. A 3 DVD of 12 hours at a cost of $35 (NZ) is available at the time of writing by contacting Greenstone TV directly.

"An extraordinary journey. The vast overland route from Auckland to the deep south is a part of our national identity, an iconic piece of Kiwiana. A journey where city and sprawl gently yields to rolling pastures, volcanic extremes, tranquil waterways, the rough Otago high country and the grandeur of the Southern Alps and Milford Sound."

Courtesy of Prime Catch Up


GO SOUTH Promo from Greenstone TV on Vimeo.


A Q&A with Spencer Stoner, Producer of Go South:
"How do you explain Go South to someone who is not familiar with the concept?
Go South is an almost real-time journey from Auckland to Milford Sound, traveling overland. Internationally, there has been a lot of excitement around TV that moves at a slower pace and watches things unfold in real time. This is a New Zealand take on that approach, made with New Zealand audiences in mind. It's this iconic, epic road trip with rail, boats, and a Land Rover that takes you from the big smoke to land's end. No voiceover, no music, just the sound of the rails, water, or road. It's also full of tidbits about the hidden history around us, from the reef that sank the Wahine to Te Kooti's hideouts in the King Country. Think of it as traveling the country tail to tip with your closest friends and family, and that's a good approximation for what watching Go South is like!
 
How long did the journey take to film?
If you were to take this trip yourself, it would take 40 hours straight (without sleeping). That's similar to the experience you get watching the Go South, but it took our team about two weeks in the field to take the journey. For example, we had to take short days while filming in the Land Rover. They're great to drive, but not designed for a road trip of four grown men plus a ton of camera gear. In the West Coast, the team was having to hop out of the Land Rover every 500 metres to wipe the lenses down from bug strikes. In Fiordland, the team was having to hop out every 500 metres to wipe the lenses down from rain. It was a stunning itinerary, but not exactly the quickest way to get from A to Z
."
More of this interview, courtesy of Prime TV, on the Prime TV website.

Slow Television - The Slow TV Blog



Wednesday, 5 June 2019

Slow TV DVD review - ploughing ahead in ambient Slow TV

Summer Isle Films - The Plough
#WatchItWednesday This post, first published 14th January 2016, concerns a well-made single camera Slow TV production. The website still lists the product - and as a lower-end production Slow TV, I feel it's worth recommending.

A film company in Suffolk has produced a very interesting Slow TV DVD, which for a single-camera piece of filming has really quite surprised me.

Just an hour long “The Plough” from Summer Isle Films is just a really good concept in a simple, ambient TV exploration. A problem with single camera views is that they can tend to remain the same for too long and make you lose interest. Slow TV is Slow TV - not static TV. An adage attributed to Confucius says “It does not matter how slowly you go so long as you do not stop.” I reckon that’s a very appropriate thing to bear in mind with Slow TV.

Confucius say...
There needs to be something going on in real time to keep any sense of a hook into a would-be viewer - even if it’s the occasional glance to see what’s changed. If nothing has changed, what’s the point in following the screen? Small stories and subtle yet observable changes are imperative. The Plough does just this.

The chosen subject of the film allows constant, slow movement, which while repetitive, is different on each repeat. There is steady, observable progress. The framing of the activity is the same but because it is happening over real time, there are organic changes within that framing and natural timeline.

Summer Isle Films - The Plough
The information given by text on the image was neither too frequent, nor too rushed nor too obtrusive. Unlike the text-bubbles on the BBC Sleigh Ride, it doesn’t pull you out of the flow of the image for an image-based Slow TV. It isn’t trying to do too much whilst being enough.

Now, I don’t wish to ruin the plot or spoil the drama, but here are things I’ve enjoyed noticing on watching The Plough:
  • The fixed relation of the plough apparatus in relation to the camera whilst ploughing gave a pleasing constant by which to observe all the other changing dynamics. Which means when the plough changes side at each of the field it becomes something of a visual event.
  • The way the new plough line bisects the previous year’s harvest lines of crop stubble, it has a ‘screensaver effect’ for me. I find my eyes are drawn into the lines on each alternate plough of the field.
  • There’s a mass of cloud which gradually covers the sun and then moves out of the way again, allowing the sun to bathe the field in increasingly golden light, especially over the final 20 minutes. My photographer’s eye would like it to be unbroken sunshine throughout for that ‘golden-hour’ look - but alternatively, the sun to cloud to sun gives further parameters of change.
  • The lifting of the plough at either end of the field feels like a paragraph break, you see soil fall off as the orientation is changed, sometimes the sun glints in the blades. This is surprising as you’d think the blades would be dulled by the soil.
  • The lining up of the plough line with the wheels is admirable; I know some tractors use satellite technology to fine tune their alignment, but for anyone who’s ever tried lining up a lawnmower to get that perfect balance for overlap but not so much it’s extra work and not too little that little islands of areas don’t get covered. Admirable stuff.
  • I found myself trying to compare the line of ploughing using the hedges and pylons to the rear of the tractor as gauges. There is progress over the hour. Obviously. But it’s fun to notice it.
  • How many times does the plough change direction? Eventually I’ll work that out. There’s a constant pace, so, assuming a uniform width of the field, timing one length and the turn around, then dividing an hour by that should give the number of strokes required.
  • The gulls following the ploughing were interesting, thinking about the poor worms and bugs freshly exposed for consumption. Anyone who’s dug a garden will have seen a robin following their work in just the same manner. This kind of thing has been going on since the Neolithic at least. Working with the soil is a very physical thing, but it's also profoundly spiritual, very connecting - food, life, dependency, interdependency, cycle of the seasons, movement of the earth, the need for sun and rain in balance, new life, death, rebirth. Ploughing isn't just about ploughing. Go meditate!
  • The tree lines receding were pleasing, gently coaxing the eye into the distance. Like being able to look behind on a car journey or a rear facing seat on a train. 
  • There’s a road at one end of the field - you even see a double decker bus go past at point, in the distance.
Summer Isle Films - The Plough
Only two quibbles. My first would be on image stabilisation. There is a very slight vibration which while not distracting, would be something I would work on. Having done some Slow TV filming with a Go Pro myself, I rejected using a lot of my own footage due to vibration during movement. Don’t let that be a put off, though, for The Plough remains an engaging ambient TV trip.

My other quibble, is why not film the ploughing of a whole field? Slow TV has a sense of completeness when it encompasses an activity or journey all the way through. Like the BBC Sleigh Ride, The Plough picks up midway through a journey and leaves before the job is done. Let’s have the satisfaction of going all the way.

Summer Isle Films - The Plough
The back cover of the DVD informs us that "The Plough is the first in a series of films called 'Suffolk Slow TV'". Should there be a sequel -“The Plough 2 - Back to the Furrow”  or “The Dowdeswell MA 170 Returns” how about making it two or three hours long, with another camera or two? A tracking shot from the rear of the tractor on the unploughed part of the field? A camera mounted on a quad bike in front of the tractor looking back, close to the ground? Or occasional drone shots for establishing the context of the ploughing and the progress of the tractor? Let’s see those zig-zag / sawtooth patterns emerging at the ends of the field as the plough progresses!

I’ve watched The Plough four times now, one actively, two while I got on writing notes and emails, and another while I edged into an afternoon nap in a quieter part of the Christmas ‘holiday’ with Jean Michel Jarre’s near 47 minute ambient masterpiece, “Waiting for Cousteau” playing and the TV on silent. The Plough works very well. It doesn’t try to be too much and what it does do, it does well. A balance of not too much and of just enough.

The Plough was produced by Summer Isle Films (fans of The Wicker Man original?) and filmed at Forest Farms at Stonham Aspal in Suffolk, UK. More details of their DVD here on their website.

More agricultural Slow TV is coming online - Is Slow TV coming to the Mid West?